IDEAL HOME Alvar Aalto • Roger Ackling • Jane Ashley • David Bowie • Marcel Breuer/Isokon • Barney Bubbles • Patrick Caulfield • Crispin Chetwynd • Keith Coventry •Joseph Crowdy, • Richard Elliott • Frederick Etchells/Omega Workshop • Rosie Farrell • Peter Fillingham • Robert Filliou • Rose Finn-Kelsey •Catherine Frere-Smith • Anya Gallaccio • General Idea • Diane Guyot • Alistair Hanson • Damien Hirst • Mike Iveson • Jasper Johns •Ami Kanki • Barbara Kruger • Paul Langworth • Roy Lichtenstein • Peter Liversidge • Bruce McLean • Eduardo Paolozzi • Cornelia Parker with Tilda Swinton • Frederic Pradeau • Gerrit Rietveld • Daniel Robinson • Yinka Shonibare • David Shrigley • Bob & Roberta Smith • Sarah Staton •Steve Thomas • Mark Titchner• Carol Tulloch • Gavin Turk • Lawrence Weiner • Richard Wentworth • Rachel Whiteread • James I Wolfsohn • Gary Woodley • Richard Woods • Sori Yanagi • Andrea Zittel CHELSEA space is delighted to present ideal home an exhibition of original and editioned design and contemporary art from private collections and the Special Collections of Chelsea College of Art and Design. This exhibition, organised as part of the London Design Festival and the Icon Design Trail 2011, brings together work by over 50 artists and designers made across 98 years from 1913 to 2011 exploring the increasingly blurred boundaries between art and daily life. ideal home takes its title from one of the exhibits - an Omega Workshop Rug designed by Frederick Etchells for the 1913 Daily Mail Ideal Home Exhibition held at Olympia, London. The Daily Mail invited the avante-garde Omega group, founded by Roger Fry, in what appears to be a cynical attempt to recreate the public outrage caused by the exhibition Manet and Post-Impressionism curated by Fry for London’s Grafton Galleries in 1910. Beyond the public dismay and anti-modern art rhetoric whipped up by the press, the 1913 Ideal Home Exhibition also caused rivalries and bitter feuds between members of the Omega Workshops and the Vorticists culminating in a ‘round robin’ letter discrediting Fry signed by Wyndham Lewis, Frederick Etchells, CJ Hamilton, and Edward Wadsworth; seen in 2011, Etchell’s seemingly benign and historic rug belies a story of utopian dreams turning into nightmares. Fairs such as The Daily Mail Ideal Home Exhibition, like shopping arcades and department stores, were seductive and seemed to reflect society better than the museums, creating a new worldwide form of entertainment and education combined with trade. Movements such as Arts and Crafts, Constructivism, De Stijl, and Bauhaus made optimistic experiments combining art and design and later, thanks to mass production, companies such as Habitat, Ercol, Athena, and Ikea introduced ‘lifestyle’ and the notion of a life enhanced by art and design into the lives and homes of a wider populace. Taking into consideration the apparent cynicism and bitter arguments that surrounded The Omega Workshop and the 1913 Daily Mail Ideal Home Exhibition, this show at CHELSEA space focuses not only on the optimistic vision of a harmonious life through art and design but also looks at the flipside through artworks which are dysfunctional, often darkly humorous critiques of modern life. From Gerrit Rietveld’s De Stijl Red and Blue Chair to Gavin Turk’s Egg Seat – a Philippe Starck perspex ‘Ghost Chair’ with an egg shaped hole cut in the seat and a plastic bucket beneath, this exhibition gives us a view somewhere between domestic bliss and a living hell. Crispin Chetwynd – Fountain 2010 kindly loaned by the artist A painting from a photograph of a lost iconic work by Marcel Duchamp. Despite the levels of removal from the original artwork Chetwynd‟s painting has its own material reality and the iconic value remains. Artist Crispin Chetwynd leans on a Richard Woods 'Drystone Wall on Wheels' Stephanie Williams and Crispin Chetwynd with Frederick Etchells' 1913 Omega Workshop Rug CHELSEA space was honoured to be visited by 98 year old Stephanie Williams, the grandmother of Crispin Chetwynd who featured in our exhibition ideal home . By co-incidence Stephanie was born in June 1913 the same year as our Frederick Etchells Omega Workshop Rug shown in the Daily Mail Ideal Home Exhibition, October 1913, which gave us the title and theme for our recent exhibition. Stephanie was also one of the first female members of the Chelsea Arts Club.

IDEAL HOME

Alvar Aalto • Roger Ackling • Jane Ashley • David Bowie • Marcel Breuer/Isokon • Barney Bubbles • Patrick Caulfield • Crispin Chetwynd • Keith Coventry •Joseph Crowdy, • Richard Elliott • Frederick Etchells/Omega Workshop • Rosie Farrell • Peter Fillingham • Robert Filliou • Rose Finn-Kelsey •Catherine Frere-Smith • Anya Gallaccio • General Idea • Diane Guyot • Alistair Hanson • Damien Hirst • Mike Iveson • Jasper Johns •Ami Kanki • Barbara Kruger • Paul Langworth • Roy Lichtenstein • Peter Liversidge • Bruce McLean • Eduardo Paolozzi • Cornelia Parker with Tilda Swinton • Frederic Pradeau • Gerrit Rietveld • Daniel Robinson • Yinka Shonibare • David Shrigley • Bob & Roberta Smith • Sarah Staton •Steve Thomas • Mark Titchner• Carol Tulloch • Gavin Turk • Lawrence Weiner • Richard Wentworth • Rachel Whiteread • James I Wolfsohn • Gary Woodley • Richard Woods • Sori Yanagi • Andrea Zittel

CHELSEA space is delighted to present ideal home an exhibition of original and editioned design and contemporary art from private collections and the Special Collections of Chelsea College of Art and Design. This exhibition, organised as part of the London Design Festival and the Icon Design Trail 2011, brings together work by over 50 artists and designers made across 98 years from 1913 to 2011 exploring the increasingly blurred boundaries between art and daily life.

ideal home takes its title from one of the exhibits - an Omega Workshop Rug designed by Frederick Etchells for the 1913 Daily Mail Ideal Home Exhibition held at Olympia, London. The Daily Mail invited the avante-garde Omega group, founded by Roger Fry, in what appears to be a cynical attempt to recreate the public outrage caused by the exhibition Manet and Post-Impressionism curated by Fry for London’s Grafton Galleries in 1910. Beyond the public dismay and anti-modern art rhetoric whipped up by the press, the 1913 Ideal Home Exhibition also caused rivalries and bitter feuds between members of the Omega Workshops and the Vorticists culminating in a ‘round robin’ letter discrediting Fry signed by Wyndham Lewis, Frederick Etchells, CJ Hamilton, and Edward Wadsworth; seen in 2011, Etchell’s seemingly benign and historic rug belies a story of utopian dreams turning into nightmares.

Fairs such as The Daily Mail Ideal Home Exhibition, like shopping arcades and department stores, were seductive and seemed to reflect society better than the museums, creating a new worldwide form of entertainment and education combined with trade. Movements such as Arts and Crafts, Constructivism, De Stijl, and Bauhaus made optimistic experiments combining art and design and later, thanks to mass production, companies such as Habitat, Ercol, Athena, and Ikea introduced ‘lifestyle’ and the notion of a life enhanced by art and design into the lives and homes of a wider populace.

Taking into consideration the apparent cynicism and bitter arguments that surrounded The Omega Workshop and the 1913 Daily Mail Ideal Home Exhibition, this show at CHELSEA space focuses not only on the optimistic vision of a harmonious life through art and design but also looks at the flipside through artworks which are dysfunctional, often darkly humorous critiques of modern life. From Gerrit Rietveld’s De Stijl Red and Blue Chair to Gavin Turk’s Egg Seat – a Philippe Starck perspex ‘Ghost Chair’ with an egg shaped hole cut in the seat and a plastic bucket beneath, this exhibition gives us a view somewhere between domestic bliss and a living hell.

Crispin Chetwynd – Fountain 2010 kindly loaned by the artist

A painting from a photograph of a lost iconic work by Marcel Duchamp. Despite the levels of removal from the original artwork Chetwynd‟s painting has its own material reality and the iconic value remains.

Artist Crispin Chetwynd leans on a Richard Woods 'Drystone Wall on Wheels'

Stephanie Williams and Crispin Chetwynd with Frederick Etchells' 1913 Omega Workshop Rug

CHELSEA space was honoured to be visited by 98 year old Stephanie Williams, the grandmother of Crispin Chetwynd who featured in our exhibition ideal home . By co-incidence Stephanie was born in June 1913 the same year as our Frederick Etchells Omega Workshop Rug shown in the Daily Mail Ideal Home Exhibition, October 1913, which gave us the title and theme for our recent exhibition. Stephanie was also one of the first female members of the Chelsea Arts Club.